ಕೇರಳ ಸಾಹಿತ್ಯ ಅಕಾಡೆಮಿ ದಕ್ಷಿಣ ರಾಜ್ಯಗಳ ಸಾಹಿತಿಗಳ ವಿಚಾರ ಸಂಕಿರಣವೊಂದನ್ನು ಏರ್ಪಡಿಸಿದ್ದರು
ಅದಕ್ಕೆ ನೀಲಾ ಅವರನ್ನು ಆಹ್ವಾನಿಸಲಾಗಿತ್ತು. ಅಲ್ಲಿ ಅವರು ಮಂಡಿಸಿದ ಪ್ರಬಂಧ
Communalism and writing
First and foremost, I would like to thank Kerala Sahitya
Academy for having put together an event to remind the writers of their
responsibility during the times when the writers are faced with a lot more
hostility than ever before. Writers have a duty towards finding the voices of
unrest and help create a space of harmony
and coexistence for all.
When I was a small girl,
my most lovable neighbor Amina Begum would give me Surkhumba (a sweet made of
dry fruits and milk) when it was Ramzan and Chongya (wheat flour based sweet)
when it was Muharram. The stunted compound between our houses was anything but
a barrier. It acted as a bridge to exchange our festive preparations.
Because when it was
Deepavali or Dasara, our traditional sweets and savouries such as Karajikayi,
Laddu, Kodubale etc would travel the same route of that compound -wall – turned
– bridge and enter her house. The sparkle in her eyes, the melodious sounds her
bangles would produce, her hands perpetually stained with mehandi dots, and
most importantly, the manner in which she spoke urdu laced with Hindi, had
turned me into her biggest fan. My mother and Amina Begum would converse for
hours together. My mother would speak in Kannada and Amina would reply in
Urdu-hindi, and vice versa. Both communicated perfectly well with each other.
That they were conversing in many languages was something that never bothered
them.
Now, when I say I don’t
know Malayalam and yet I have gathered courage to speak infront of all of you,
this is where my inspiration comes from. From my mother and Amina Bi who used
many languages to share their lives with each other. That also goes to say when
thoughts are genuine, one can speak to anyone else in any language and it will
strike a chord.
I mentioned of that small
stunted compound wall between my house and Amina Bi’s. When I started writing,
I had demolished this wall in one of my notes of expression. Even now, I often
dream that I am demolishing that wall. That is my most comforting thought. That
of, demolishing the wall and creating spaces where minds can meet without fear.
It makes me immensely happy. Let us hope the day is not far when we can see
this dream turn into reality.
Now, before arriving at
the context of this speech, I would like to remember the noblest soul -- Guru
Narayana. Another person who has to be commemorated is writer Kulakunda
Shivaram, who was known through his pen name ‘Niranjana’. He immortalized the
saga of farmer revolution through his novel ‘Chirasmarane’. Owing to him, we
often remember Kerala as Kayyur.
This year’s Onam
festivities saw the whole country welcome King Bali. I also did the same. My
heart does not accept the idea of welcoming this festival as Vaman Jayanthi. At
this point in time, we have witnessed the silent sorrow of scores of writers.
Killings of Narendra Dhabolkar, Govind Pansare and M M Kalaburagi have left a
lot of us severely impaired. In order to prove that humanity is a value that’s
above all else, writers, scientists and artists along with many others have
returned their awards and protested against the injustice meted out on them.
A faint whisper that
indicates that all movements have died, keeps getting louder often. The
post-modernism that is a result of globalization keeps nourishing individual
glory over mass movements by denying their existence.
But it is not any matter
of fantasy that the award vapasi did shake the powerful corridors of the
government, along with a particular chest that’s symbolically measured in
inches.
To deny this, a march was
taken out in Delhi to state or prove that award vapasi was a sham and that
there was no intolerance in the country. All this hurried response was to hide
the fact that intolerance was growing. Just when the other writers tried
proving that intolerance was a figment of imagination, Akhlaq was murdered over
his choice of food. Elected representatives got down to the level of defending
this murder. Dalits were attacked in Una, women from Dalit community were
raped. Even as you begin to list examples, your heart sinks with hopelessness.
Are we going to leave
behind some days of unabated equality and happiness to our future generations?
If the days of love and affection are scarce, what’s the point in writing,
speaking or practicing any art?
You are aware of that
circular from central government that is meant for Urdu writers. The writers in
Urdu language have been asked to……………….
This is not a mere
stereotype or bias. Instead, this is a part of the bigger agenda where the
central government will work to destroy the freedom of writers. We don’t even
have to travel far in that case. In the neighbouring Tamil Nadu, we saw writer
Perumal Murugan was attacked by communal interests over his works.
Now a gradual rise of
attempts of occult that we have been witnessing is on the Vachana Sahitya that
was created in 12th century. This literature was created as part of
people’s movement that was the result of reformative thoughts that surfaced
with a lot of passion during that time.
How do you begin to
understand the fact that state becomes a witness to an event or a seminar where
puranas are being referred to, and science if being ridiculed or made light of?
Puranas are being projected as facts for public consumption. The epics that
were created at various phases of time, are being appropriated and projected as
accounts of reality. This pulling of wool infront of people’s eyes is happening
in broad daylight. It’s happening right in front of us.
The culture of Harmony in Karnataka is something that fills my heart with
immense pride. The first ever novel in Kannada according to historians,
Kavirajamarga was written under the watchful eyes of a kingly state. And yet,
the novel goes beyond its limitations and speaks greatly for the people.
The
poet in this ‘Kavirajamarga’ novel says:
ಕಸವರವೆಂಬುದೇಂ ನೆರೆ ಸೈರಿಸಲಾರ್ಪಡೆ
ಪರಧರ್ಮಂ ಪರವಿಚಾರಮುಮಮ್
ಪರಧರ್ಮಂ ಪರವಿಚಾರಮುಮಮ್
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